ofnuts wrote:
those that have little inner logic and are merely macros. A typical case is the "Drop shadow" filter. The more complex ones either restrict the user's freedom or they end up with a very large parameter dialog
Well, it's not that easy to manually perform the actions implemented in GIMP's drop shadow script, at least not without using other scripts like canvas resize and autocrop. For example, if I have active pixels that go all the way to the edge of the canvas and I want to add a drop shadow, I will need to increase the canvas size to the exact size of the shadow and in the proper direction(s) the shadow is offset and/or blurred. Drop shadow scripts do this for us automatically and that functionality goes well beyond a Macro of sequential steps.
I much prefer scripts to have a rich set of parameters, over those which offer a constraining and limited number of options. The notion that parameter dialogs have to be of a certain size is patently absurd.
Rather than duplicate a layer, increase the canvas size (with another script), blur it (script), offset it accurately (script), colorize it (script) and autocrop it (with yet another script), I think I'll just save myself a lot of wasted time/effort and use a drop shadow script.
ofnuts wrote:
In the cabinetmaker workshop, do you prefer to see:
- a machine that produce country-style chairs, a machine that produce Regency-style chairs, a machine that produces Art-déco chairs
- a jigsaw, a planer-joiner, a wood lathe
Would that be a manual lathe or a fully automatic, computer controlled, with screens full of dialogs lathe?
Real artists wouldn't need even need a lathe, right? They would cut the wood down to size and smooth it out by hand.