Removed the bench. Slight blur on the clouds. Colour boost and sharpening of the trees and the mountain.

david.

Similar approach to the previous photograph - darkening and slight desaturation of the foreground. Colour increase and sharpening of the mountains, and a small amount of blur on the clouds.

david.

David, nice enhancements, but may I suggest you to render the mountains with a more "rose" nuance? Dolomiti are famous for their "enrosadira".

dinasset,
Is this a better interpretation?
david.

Beautiful subject and photo to begin with. I do love the pink nuance, though!

Yes David, thanks.
The camera (my camera) does not take properly the Dolomiti nuance and shows always too much blueish.

dinasset,
I see from the EXIF data that your camera is a Panasonic TZ1. I believe it may be possible to change the white balance to remove the excessive blue.
david.

Thanks David, I'll see what I can do for next year.
Today posted my last images, not very interesting, likely, for you.

A quick trial of adjusting colour temperature in RawTherapee.
First picture: camera white balance (6490K).
Second: sampled in cloud for neutral colour (6717K)
A small change, but perhaps an improvement.

david.

A quick play with one of the latest photos.

david.

The next one!

david.

A quick try at modifying the previous image using my new Luminosity Masks script.
By making a very loose selection around the station canopy, I was able to lighten the wood without affecting the adjacent areas within the selection. I changed the contrast/brightness within the mountains and made a separate adjustment to the sky. The green parts are, perhaps not as I would like, but this was done very quickly as a test.

david.

Dinasset commented that the photographs of the dolomites should have more of a "rose" hue, so I thought I would try a new approach using my new luminosity masks plug-in.

Above the ML layer I put a new layer, filled with Light Coral (F08080) in overlay mode, 43% opacity.
Because this had a slight effect on the colour of the trees, I put a new layer above the DD layer, filled with the same colour which I then inverted, overlay mode, 46% opacity.
Here are the before and after.

david.

Clever approach, David.
But in the test image it's overdone.
Thanks.

It could be more like this:

dinasset,

Thanks for your comments.
Never having seen the dolomites (except from 30,000 feet!), I was not sure what colour to use or the intensity. With a lower opacity of the overlay the correction to the trees would also probably be unnecessary. However, I hope the technique may prove useful as an alternative to the more difficult and time consuming process of drawing masks.

david.