My twopenny-worth:
I was recently mulling over adapting my script to use all fonts and not just my own joined-up fonts - although this seems to go against the original reason writing the script in the first place.
I am interested in hearing Dinasset's purpose behind using a script such as the one he has in mind. Is it to use the repeating text as a decorative device? Or is it to provide a background effect for one of his many other filters? As others have pointed out, the abrupt changes in paths around most objects lead to severe deformations - stretching and compressing the paths. Any compensating filters would have a serious amount of work to do to avoid unpleasant looking side-effects.
My attempts at keeping the integrity of the letter shapes led me down the route of creating a layer for each separate letter and then (optionally) merging the layers together.
Here are some of the results using Gimp 2.9.7 - Partha's portable version - with a long text string around an oak leaf.
First image: Gimp's own Path to Text with my Italic Variations font at 60pt. You can clearly see the deformations.
Attachment:
TAP_defaultsettings.jpg [ 657.96 KiB | Viewed 1368 times ]
Second image: My script with default settings at the same size. Letter shapes show less deformations and the text finishes at the end of the path - but not a satisfactory outcome.
Attachment:
TAP_JoinedUpDefaults.jpg [ 539.29 KiB | Viewed 1368 times ]
Third image: With the smallest amount of extra space between individual letters. Better or worse - I can't tell!
Attachment:
TAP_JoinedUpExtraSpacing.jpg [ 540.81 KiB | Viewed 1368 times ]
Conclusion: Same as everybody else - a lot of manual work/tweaking involved in creating a pleasant effect it seems.
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"Let no one steal your dreams."
Paul Cookson
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